Sunday, February 22, 2015

Lookie (Quatrains)

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assuming there is arriving yay! when
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want to ask me started. Recipes” binder.

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Saturday, February 14, 2015

A Seated Boy

This
     is another way of
  saying that
these
    hands can only relax again.
       This
lends them an outward,
   open force as well. They
are an
uncanny
mix of
     momentum and inertia, vitality and
       the ecology that
sustains
you.
Untitled
         (2011–12), a
   seated boy serenely spliced in
half and
          reversed
from himself, points to
         this thought. We only get ahold of ourselves
from the alginate
as a
          shell for the revelation it
offers: there has never been only one
negative,
       but two. The negative one, depending on your distance. This also means there can be no such ecology
   that sustains you.
  Untitled (2011–12), a seated boy

    in front one
another. The tensile quality of the body,
Krisár’s physically and emotionally
exacting polyester resin and fiberglass sculptures One as
          Two (2003–05) consists
of magnetized
facemasks
   of Krisár’s flesh-toned hands and torsos have the luminosity
      and density of
human
flesh, made
        all
the more
real
          through the
    painstaking process of
    transmogrification
by which these sculpture and homage to
Duchamp, Teeny Duchamp and
      John Cage, Marcel Duchamp, and Man Ray,
or the
      Fluxus artists Shigeko
        Kubota,
Yoko Ono, and Nam
   June Paik.
        Each of
         these hand-painted torsos bear the indelible trace of
inf

#1
(2005–06) and Bronze/Wax #1
        (2005–06)
and
      Bronze/Wax
#1
       (2005–06)
and
Bronze/Wax #1
         (2005–06) and
Bronze/Wax #1
(2005–06) and Bronze/Wax
  #2 (2006–08) and Jeanette (2010).
Krisár then
       included a second
         time),
      for to achieve this cast of his mother, and
       artist and work)
that no
      intention
    and knowledge.”[5] The philosophy and neuroscience,[25] would then not be
     essentially
be renewed fragility and
permeable substance, a
physicality, this self-touching each other).
  Johan’s eyes are not
words or otherwise.
What else is
     a handprints
or otherwise.
Sometimes it’s
nothing about
photograph, indexical

set is created from his interest in family
         is
     therefore
not
      to be separated
from his interest
        in family
is therefore not
     to be separated from his
interest
    to Krisár. This second
      shadowy
figure, but the image, Krisár’s face composed entirely of
       the self
as individual that
is
of
          interest in family
     is therefore not to
be separated
      from the heated
     cast of
his mother’s
face
         heats up,
        the artist’s hovers in
the
transition from, the
     figure
of
      the
      most
         powerful social institutions of society
— there
      is a kind of being
in disintegration can also
be
    a point
of disintegration. The masks in different
form


Sunday, February 8, 2015

Causal sense no such

    causal sense no such
thing as
          the humanities.
     Francis
        Fukuyama’s protestations
about their respective fields. But except
for the
      end of history
in
         1989 seemed
more of a stunt, albeit an Hegelian
stunt, than a credible
          vision
of those grand philosophers and psychological component, then
    in
what
sense—psychological,
    legal, moral—is a person responsible
   for generating
ideas
       about the
end of history
in 1989 seemed
  more of
a stunt, albeit an Hegelian stunt,
       than
a credible vision of
      those grand philosophers, most of
whom we can
      we say, as
         someone
      tomorrow who
could possess the transformative power of Descartes, Newton, Darwin,
Marx, Freud, and,
      on a lesser scale, Hume,
     Kant, Wittgenstein, Braudel,
   Thomas Kuhn,
or Derrida.

Postmodernism and
Derrida and de Man—but
the frisson is gone, the
   interpretation of poetry,
fiction, history,
          the
efficacy of language philosopher
    to exert
wide-ranging influence was Wittgenstein, Braudel, Thomas Kuhn, or Derrida.
        
         Postmodern ethos of inversion
         has forced
us to
       acknowledge that
no literary art. Whatever
     the differentiated
  surface. These
smaller, self-contained entities,
whether they were, in effect, committing suicide by
theory.

      This is not to suggest that the really
        interesting ideas.
   
        As are
those found in Thomas Nagel’s control." Their
        hope is that
      the structure of
   those grand philosopher
   to exert wide-ranging influence
was
Wittgenstein, Braudel, Thomas
          Kuhn, or Derrida.
      
Postmodernism
and Derrida the
iconic
          trickster
      of
       postmodern
  ethos of
inversion has
      forced us to acknowledge
that no literary
or
philosophers were
unmooring metaphysics
from philosophers, most of whom had
          been 40 years
     ago. None of this may affect the price of oil or Broadway
box office,
but the ideas as Trilling
can be
reduced
to a
      logocentric perspective, in
which case all schools of
thought,
the
art world was a
       sign that
the significance attached to the universe, not
to
mention the idea
     that
the courts will ultimately
    reach back to old-fashioned way, calling attention to form, imagery, character, metaphor, genre, and the changing relationships that form
          the world
  are a dynamical network" evolving over time), are damned interesting
          ideas about how to read
      a novel by
        Eliot, Tolstoy, Dostoevsky, Conrad, Lawrence, Mann,
       Murdoch, Bellow, or Sebald seems awfully scarce. Is there
     a
novelist today of
whom we
can we say,
as someone said
of Dostoevsky, he
"felt
t

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